The Film Baby Review: A Sharp Portrait of Queer Brazilian Hustlers Lost in the Established Order

Capturing the urban restlessness and pulsating life of São Paulo, Marcelo Caetano’s gripping drama zooms in on those who live on the fringes of an perpetually shifting metropolis. Fresh out of juvenile prison, 18-year-old Wellington (the actor João Pedro Mariano) stands at a pivotal juncture; left behind by his parents, the innocent young man seeks comfort in the arms of others.

On an late-night excursion with his rowdy group of gay and non-binary friends, Wellington encounters Ronaldo (actor Ricardo Teodoro), a hunky, charismatic hustler significantly older than his age. Illuminated by the pulsating light of a XXX cinema, their initial encounter is intimate and charged, with an hint of risk. Ronaldo promptly ushers Wellington to the shadowy world of prostitution and drug dealing.

A Study of Empathy Rather Than Exploitation

The film illustrates Wellington’s new life of crime with compassionate understanding rather than as a melodramatic morality play. Now adopting the moniker Baby, he engages in his paid liaisons with brash fearlessness and touching naivety. To his patrons, Wellington lends not only his youth and his body, but also instances of tenderness.

In the electrifying chaos of São Paulo, teeming with crowded backstreets and vibrant storefronts, there’s a deep-seated solitude, as unmoored souls cling on to one another for temporary happiness.

"The city can be filled with danger, yet they are where they can discover chosen kin, too."

A Complicated Dynamic of Love and Control

Ronaldo is at once a romantic interest and a protective father figure to Wellington, but their bond is sabotaged by possessiveness and monetary insecurity. Intimidation from dubious individuals in the underworld are overshadowed by the dread of government monitoring and jail time, represented by the constant sight of police officers making their rounds.

Baby is particularly impactful as a perceptive study of the forgotten souls who have been failed by the system. The film functions as a heartfelt exploration into making ends meet, chosen family, and the quest for purpose within a demanding urban landscape.

Ryan Kelley
Ryan Kelley

Environmental journalist with a decade of experience covering climate science and policy, based in Berlin.