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Tuesday, October 13, 2026
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Film Analysis: Band Frontman Jason Williamson Assumes Role in Critical Look at Ecstasy Generation Era

The work of Bristol sound co-founder Geoff Barrow, this scabrous though undernourished first film turns a sceptical eye on the ecstasy-fueled club scene. Self-serving pillhead David (the actor) initially steals from an unconscious dealer, then in another flashback tries to break into his own parents. Before you can say, he's upside down in the wreckage of his car in a woodland – and subject to the angry eye of the Woodsman (Sleaford Mods frontman Jason Williamson). Declining to free David, with no time for city dwellers, he is a fractured society personified: “You’re one of those noisy cunts from up on the heath.”

A Shaky Start and Grimly Amusing Confrontation

The film begins uncertainly, spending too long on meticulously detailing David’s attempt to extricate himself from his seatbelt, while awkwardly transitioning into flashbacks of his normal activities. The bigger point – that the rave-era youth were primarily out for number one – is clearly conveyed. But these vignettes are insufficiently developed to adequately prepare us for what to expect when the Poacher turns up, enraged after David kills his dog. Still, a darkly funny duel unfolds – David desperate to escape; the Woodsman withholding his jerrycan of cider, determined to dousing him instead in embittered discourse. Williamson, projecting ponderous menace in the role, is reminiscent of Michael Smiley.

Visual Flair and Promo-Inspired Sensibility

There is only one key story turn, but it leads to a hilariously staged rampage on the woodland paths that veers toward rural terror. Filmmaker John Minton finally gets to go all in with his showy imagery: where he was focused intently doing artful shots of bugs in headlights in the opening part, he now goes all out with the full psychedelic 21-gun salute, accompanied by a wild organ version of Ravel’s Boléro. The movie resembles an elongated music video than a fully fledged drama, but there’s enough bold visuals to suggest that Minton could follow Jonathan Glazer, Garth Jennings and others into making the leap from the UK video industry.

Game is in UK and Irish cinemas from 17 November.

By

Ryan Kelley

Environmental journalist with a decade of experience covering climate science and policy, based in Berlin.

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